Yarn
Yarn - The Journal of Scottish Yarns is a bi-annual journal, focussing on community, history, culture and creativity of textiles in Scotland.
Format: softback book; 224 pages; 20 x 25.5 cm
Includes a digital download code
Printed: in Scotland
ISSN: 2753-2801
Yarn - The Journal of Scottish Yarns is a bi-annual journal, focussing on community, history, culture and creativity of textiles in Scotland.
Format: softback book; 224 pages; 20 x 25.5 cm
Includes a digital download code
Printed: in Scotland
ISSN: 2753-2801
Yarn - The Journal of Scottish Yarns is a bi-annual journal, focussing on community, history, culture and creativity of textiles in Scotland.
Format: softback book; 224 pages; 20 x 25.5 cm
Includes a digital download code
Printed: in Scotland
ISSN: 2753-2801
Yarn - The Journal of Scottish Yarns aims to:
Promote Scottish textiles culture and community by telling the stories - past and present - of the fibres, skills, artisans and industries that make up its fabric
Support your creativity through a range of creative projects you can make yourself; from beginner to advanced level
Issue 5, Spring / Summer 2024
204 pages
Articles:
Weaving The Edinburgh Seven: Dovecot Tapestry Studios work with Christine Borland to celebrate the first women to matriculate at a British university.
Variegations on a Theme: Uist Wool has a passion for the natural colours of fleece.
Fair Isle on Fair Isle: Barkland Croft takes knitting traditions back to source.
Flock To Sock: Glenesk folk museum in Angus is rediscovering kilt hose.
A Delicate Future: Shetland lace knitting is on the red list of endangered crafts.
Reviving Textile Talents: Creation Mill tackles isolation and supports textile skills in Dumfries and Galloway.
Crafting Maths: Knot Unknot: The abstract art behind knitting and crochet.
Charting Age-Old Seas: Photographs from The Wick Society inspire gansey designs. A tribute to Gordon Reid.
Patterns:
Knitting:
Myrtle Waistcoat by Rebecca Clow, The Creabea
Pathfinder Top by Kelly Ordemann
Isla Top by Sylvia Watts-Cherry, With Cherries On Top
Common Blue Shawl by Solveigh Lass-Evans, Iolair Yarn
Cluny Cowl and Wrap by Alison Mayne, Knitrospective
Da Slockit Light Shawl by Elizabeth Williamson Knitting
Crochet:
Kin Jumper by Fay Dashper-Hughes
Lammermuirs Crochet Top by Samira Hill, Eildon Hills Designs
Gothic Wrap by Merrian Holland, Mezzacraft
Other craft:
Peg Loom Mat by Sunshine Stewart, At Birkhill House
Issue 4, Autumn / Winter 2023
188 pages
Articles:
The first tartan mill to be established in the Highlands for decades, Prickly Thistle seeks answers to today’s issues from the past.
V&A Dundee worked with Glasgow micro-weavers, Vevar, to explore their tartan design and create a limited edition piece: a modern interpretation steeped in Scottish textile legacy.
With inspiration from across continents, Ripples Crafts has been based in the northwest Highlands of Scotland for 15 years.
Centuries of history provide design inspiration for textile conservator Sara Wolf.
Lammermuit Wool: the story of a small and friendly flock of Shetland sheep in East Lothian.
Kiltmaking is culturally significant for Scotland, but did you know it is an endangered skill?
A short history of Sanquhar knitting.
Patterns:
Knitting:
Heather And Hops Hairst Jumper by Katt Weaver
Charles III Sanquhar Mitts and Cowl by Ruth Robinson
Diamond Twist Socks by Sara Wolf
Sallochy Bay Shawl by Emma Vining
Sma’ Glen Beanie Hat by Louise Mossom
Wheatfield Jumper by Karie Westermann
Coorie Cardigan by Sylvia Watts-Cherry
Dovecot Socks by Nic Corrigan (machine-knit socks, with hand-knit instructions)
Crochet:
Gorse Top by Samira Hill, Eildon Hills Designs
Droman Hat by Merrian Holland, Mezzacraft
Sunset Song Top by Marta Mitchell
Issue 3, Spring / Summer 2023
204 pages
Articles:
Adopting the Viking Mantle: Shepherdess and artist Meg Rodger of The Birlinn Yarn Company is inspired by past and present in the Outer Hebrides.
Source Material – Strands of Memory: Two makers, Jeni Reid and Lynne Hocking, are inspired by linen with results that are both worlds apart and close to home.
A Woven Heritage: Second only to agriculture, linen production was the major Scottish industry in the 18th Century.
Historical Fibres, Future Networks: From exhibitions to walks and dolls, exploring heritage and developing links between art, design and Scotland’s linen industry.
Weaver of Weather: Designer Ange Sewell, of Weft Blown, weaving her own path in West Kilbride.
The Fruits of Friendship: How a collaboration based on friendship and diverse businesses led to new yarn range, Bearford Originals.
Sewing the Seeds of Change: Hands on engagement with flax at Edinburgh College of Art.
Improvised Designs and Mindful Making: A reflection on materials and creativity by artist Gaelle Chassery.
Patterns:
Knitting:
Thonnan Top by Katt Weaver, Heather and Hops
Carstramon Top by Maddie Harvey Designs
Sea Pink Top by Solveigh Lass-Evans
Seeded Fern Wrap by Meg Rodger, The Birlinn Yarn Company
Lèana 2-colour brioche shawl by Samira Hill, Eildon Hills Designs
Robach Shawl by Alison Mayne, Knitrospective
Crochet:
Machair Tank Top by Merrian Holland, Mezzacraft
Twine Bag by Merrian Holland, Mezzacraft
Dunnet Head Hap by Fay Dashper-Hughes
Magnolia Cowl from woven pin loom square by Ange Sewell, Weft Blown
Issue 2, Autumn / Winter 2022
212 pages
Articles:
Di Gilpin: a retrospective on the career - so far - of knitwear designer and Scottish textile advocate.
The Princes Trust Future Textiles programme: with specifics from The Library of Knit, a Knitwise project which Di Gilpin worked on culminating in an installation in the arboretum of Dumfries House in Ayrshire.
The origins of Tartan: commemorating the 200th anniversary of Gorge IV visit to Edinburgh in 1822.
The Silly Sheep Fibre Company: story of yarn from a croft on Shetland and their adventures with several sheep breeds.
Jennie Howes, SkyBluePink Designs: evolution of a life in crafting from learning as a child through to operating a shop in Berwick-upon-Tweed, teaching crafts and selling hand-spun yarn.
Black Isle Yarns: story of a small yarn producer who gathers fleece from smallholdings on the Black Isle and hand dyes the spun yarn using natural plant dyes.
Woven Identities: Tartan meets Koru by Maori artist Mitchell Manuel: an exploration cultural heritage and symbolism inspired by Scottish ancestry, based on the autumn exhibition at the Smith Gallery in Stirling.
A view of New Zealand from emigrating Scots via the Diaspora Tapestry.
Patterns:
Knitting:
Dullieach yoked jumper by Lucy Hague
Aggie the Highland Cow intarsia jumper by Sylvia Watts-Cherry
Portmoak Moss beanie hat by Louise Mossom using Jamiesons of Shetland Spindrift
Moness shawl by Maddie Harvey
Bemersyde shawl by Samira Hill
Harris the Highland Cow toy by Kirsten Bedigan
Crochet:
Eildon Woods yoked jumper by Samira Hill
Droman jumper by Merrian Holland
Dunkeld slipper socks by Marta Mitchell
Rainbow Ram Embroidery sampler by Susie Finlayson
Issue 1, Spring / Summer 2022
180 pages
Articles:
Short History of Scottish Textiles: A run through the History of Scottish Textiles illustrated with some of the panels from The Great Tapestry of Scotland.
Newburgh Handloom Weavers: From South Uist to the Scottish Borders and Fife, Newburgh Handloom Weavers are producing handwoven bespoke tweed on looms with a story.
The Native Sheep Breeds of Scotland: Steeped in more than 6,000 years of history, Scottish sheep are an interesting flock.
The Story of Iona Wool: The story of how single origin Iona Wool came to be created.
The Border Mill: What do you do when you have more alpaca fleece than you can hand-spin? Set up a new mill in Duns in the Scottish Borders.
Stitching Loyalty: An 18th century embroidery making a statement of loyalty to the exiled Stuart royal family.
Dovecot Studios produce a tapestry woven masterpiece from a masterpiece of a masterpiece.
Learning to Spin: Some of the experts in and around Scotland share their advice on learning a specific craft.
Patterns:
Knitting:
Cowl (in large and small sizes)
Sleeveless Vest
Triangular Shawl
Versatile Tabard
Crochet:
Summer Top
Waterfall-front Cardigan
Fingerless Mitts
Crewelwork sampler by Susie Finlayson, suitable for beginners